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Collateral Damage for Clarinet and Orchestra (2000)A Concerto for Bb Clarinet and Orchestra
A standard three
movement concerto for Solo Clarinet and
Orchestra 2222/4331/3perc/timp/Strings.
The rousing and spirited finale "Serbian Hoedown"
(The bombs fly but the band plays on) takes its
inspiration from those men and women who would
congregate on the bridges during the bombing raids
in Serbia in the spring of 1999. They often
passed their time with defiant speeches and
traditional folk singing and dancing in the hope
that the massive structure - which they depended
on for their general livelihood and security -
would not be targeted and destroyed.
Here the clarinet, performing melodic material
steeped in Serbian folk-dance idioms, seems to
lead the orchestra through a series of climaxes
and mishaps (even reviving the ensemble at one
point) as melodic materials first presented by the
solo clarinet are taken up by the accompanying
ensemble. I. A Bosnian Rhapsody II. Funeral for a Rock Star III. Serbian Hoedown (The bombs fly but the band plays on) Total duration of the work is about 20 minutes. Bearing the title "Collateral Damage," the Concerto for Clarinet and Orchestra was composed for clarinetist and former colleague Håkan Rosengren. It was completed over a six week period during the months of February and March of 2000 and was premiered by Peter Wright (Principal Clarinetist) and the Jacksonville Symphony Orchestra (Fabio Machetti, Conductor) on March 3 & 4, 2005 at the Times-Union Performing Arts Hall in Jacksonville, Florida. The work was also performed by Frank Cohen and the Cleveland Orchestra in July, 2005 at Blossom Music Pavillion. The 20 minute work is somewhat eclectic and post modern in style and follows the traditional three movement form. The faster outer movements are a musical blend of both contemporary classical and Eastern European folk idioms. By contrast, the slower middle movement incorporates musical elements that characterize some of the popular music of the late 20th century. Inspired largely by the tragic events which surrounded the break-up of the former Yugoslavia during the 1990's, the work is dedicated to the civilian victims of all modern wars. The opening movement is titled "A Bosnian Rhapsody" and is the longest and structurally the most complex of the three movements. It is built on two contrasting themes, one faster and the other much slower, each set in tonalities that are a semi-tone apart. These original themes incorporate harmonic and melodic idioms commonly found in the music of the balkans and they give the opening movement its distinctive ethnic flavor. Following a powerful climax each of these themes is briefly reprised. This gives way to a more introspective and subdued but expressive cadenza which ends the first movement. The second movement features the clarinet spinning out a continuously evolving and expanding melody over a series of recurring but shifting harmonic patterns. The title "Funeral for a Rock Star" is a concise description of the imagery and emotion that the music seeks to convey. The seemingly improvisatory and unrestrained clarinet solo evokes the image of a soul freely born aloft, while the heavy, plodding undercurrent of low brass and strings reveals a procession of loved ones bearing the weight of a casket and a profound grief whose consolation lies somewhere between memory and hope. Other Resanovic works featuring Clarinet:Sonata
for
Bb Clarinet and Piano
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