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"He
filled out the piece with writing
that communicated directly through
an innovative, individual style...
...The effect was electric, and
Resanovic came on stage to acknowledge
the cheers for this arresting new work."
Elaine Guregian, The
Akron Beacon Journal, Sunday, July
24, 2005 re: "Collateral Damage:
Concerto for Clarinet and
Orchestra" as performed by
Franklin Cohen (Principal
Clarinetist) and the Cleveland
Orchestra - James Gaffigan,
Conductor
"It is, in a word, a
hit."
"The clarinet part
is a tour de force of expressive phrases
and wild riffs, many ending on piercing
high notes, while the orchestra
contributes myriad fascinating colors
(the bass harmonics are especially
haunting). Pungency rubs shoulders with
utmost sweetness, terror with exuberant
rebelliousness. It is, in a word, a
hit."
Donald Rosenberg, The Cleveland
Plain Dealer, Monday, July 25, 2005
re: "Collateral Damage: Concerto for
Clarinet and Orchestra" as performed
by Franklin Cohen (Principal
Clarinetist) and the Cleveland
Orchestra - James Gaffigan, Conductor
"Inviting....Energetic....Impassioned...
....Although the majority of the crowd
was older, the more contemporary music
was a huge hit, and audience members
were on their feet before Wright ended
his final note"
Angela Dryden, The Florida
Times-Union (Jacksonville), Saturday,
March 5, 2005 re: World Premiere
of "Collateral Damage: Concerto for
Clarinet and Orchestra" as performedby
Principal Clarinetist Peter Wright and
the Jacksonville Symphony Orchestra
(Fabio Mechetti, Director)
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This week's audio
features the
middle movement of the Sonata for
Tenor Trombone and
Piano.
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